New LUMIX Full-frame Mirrorless Camera Panasonic LUMIX S5
24.2MP CMOS Sensor with Dual Native ISO Technology
Whether you are taking stills or shooting video, the LUMIX S5 delivers uncompromising image quality. No low pass filter means there is no barrier to full resolution. Moreover, the image sensor features Dual Native ISO technology,* leveraging a dual-base ISO setting to minimize noise and maximise image quality from low to high sensitivity. This feature teams up with the Venus Engine to deliver maximum ISO 51200 / Extended ISO 204800 for minimal noise at high sensitivity and beautiful expression of dark areas in the frame. Whenever professional-level low-light shooting is required, the LUMIX S5 is ready for action.
* Dual Native ISO operates automatically.
Venus Engine
The marriage of a CMOS sensor with the beautiful Venus Engine reproduces extraordinary colour detail and natural texture expression. Multipixel Luminance Generation and Intelligent Detail Processing render intense brightness and contrast. The Three-Dimensional Colour Control zings with rich colours from dark to bright shades, and high-precision Multi Process NR makes your images pop even at high ISO sensitivity settings.
96MP High Resolution Mode with JPEG
In addition to RAW, the LUMIX S5 now supports JPEG file format during shooting, and RAW Processing during playback (RAW-to-JPEG conversion), for images that PC software simply can’t match. In High Resolution Mode, the camera automatically captures eight consecutive images while shifting the sensor using the Body I.S. (Image Stabiliser) mechanism. Then, the Venus Engine, which boasts high-speed signal processing, synthesises the images into a 96-megapixel equivalent (12,000 x 8,000-pixel) RAW file. This mode is excellent for shooting ultra-detailed nature shots with a tripod, as well as other works of art that combine grandeur with precision.
Live View Composite
The camera takes multiple images, creating composite images from only those areas that vary in brightness. This feature is convenient for taking images of the night sky that show the light trails of stars or fireworks. Each time the shutter is operated, a composite image is displayed, allowing users to shoot while confirming the results in real time.
HLG Photo
HLG Photo mode* supports a new style of photographic enjoyment on the screen of HDR-compatible devices — one in which the rendering of bright light is especially impressive. HSP files,** which compress a high degree of brightness, are displayed as images with breathtaking reproduction of dynamic range and extremely fine gradations of light and dark.
* “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.
** “HSP” is an HDR picture format using HLG format video technology.
Recording Modes for a Wide Range of Needs
Multiple recording modes address the needs of modern videography, including image quality, flexibility, and creative expression. In addition to supporting 4K 60p/50p* 4:2:0 10-bit, 4K 30p/25p/24p 4:2:2 10-bit, and anamorphic 4K, the camera allows users to shoot in 4K 8-bit without limiting recording time. Moreover, the heat-dissipating structure developed for the LUMIX GH and SH series of cameras makes possible the combination of a full-frame sensor and a highly compact body.
* In APS-C or PIXEL/PIXEL settings.
4:2:2 10-bit Internal Recording / HDMI Output
With available internal recording, 10-bit video supports robust colour profiles for advanced post-production work. In the 10-bit setting, 4:2:2 10-bit HDMI output is supported along with simultaneous external drive / SD card recording.*
Users enjoy high-end cinema camera quality with the convenience of a compact camera body. Image quality that leverages the power of the full-frame sensor takes video to the expressive limit.
* SD card recording not available during 4K 60p/50p 4:2:2 10-bit HDMI output.
14+ stops of V-Log and V-Gamut
"VariCam Look"
Offering compatibility with Cinema VariCam Look, 14+ stops of dynamic range, and a very wide colour spectrum, V-Log and V-Gamut come preinstalled. Users will enjoy impressively accurate colour reproduction, subtle gradations from dark areas to highlights, and precise control of colour data in post-production. The end result is more creative and satisfying colour expression. Moreover, footage shot with the LUMIX S5 can be seamlessly edited with footage shot with VariCam cameras. As a further convenient touch, the LUT in use is displayed on the camera monitor. The V-Log of the LUMIX S5 offers 14+ stops of dynamic range, which covers the PQ requirement of HDR, while V-Gamut covers the full HDR colour spectrum, giving users access to HDR shooting wherever, whenever.
V-Log View Assist
The LUT in use is displayed in both the viewfinder and rear monitor images. When the LUT is applied to HDMI output, it can also be confirmed via an external monitor. In addition to preset LUT Vlog_709, custom LUTs can be loaded and used. These features make getting video deliverables just right that much easier.
Anamorphic Recording
4K anamorphic video can be shot in the 4:3 aspect ratio. Designed to accommodate anamorphic lenses in a wide range of magnification rates, including 1.3x, 1.33x, 1.5x, 1.8x, and 2.0x, the Anamorphic Desqueeze Display function makes possible shooting while confirming the cinemascope-size image in-camera.
7.5x Slow Motion and 60x Quick Motion
Slow & Quick motion mode supports both overcranking and undercranking. Users have access to 2.5x slow (24p/60 fps) in 4K and 7.5x super-slow (24p/180 fps) in FHD.* This feature is highly useful in creating emotional slow-motion footage and capturing rapid movement imperceptible to the naked eye. It is also possible to create comically rapid footage of up to 60x normal speed (60p/1 fps).
* The degree of effect varies depending on the recording format and frequency, and the angle of view narrows if a frame rate 180 fps is selected.
4K HDR Video
Since the LUMIX S5 offers both V-Log latitude that fulfils the PQ requirement of HDR dynamic range and V-Gamut that covers the full HDR colour spectrum, it is fully ready for HDR video applications. In addition, HDR video in the HLG (Hybrid Log Gamma) format can be shot using Photo Style “Like2100.” When the content is replayed on HDR-compatible devices, users will enjoy a powerful video experience with ultra-fine light-to-dark gradations and an incredible dynamic range.
Time Lapse Video with 4K 60p/50p
The LUMIX S5 supports interval capture to create time lapse video in the camera body itself and is also capable of 4K 60p/50p. Still photos can also be shot with V-Log or Like709 for outstanding handling in post-production. Exposure smoothing takes place during processing, resulting in beautiful time lapse videos with smooth exposure changes.
Frame Marker
The frame marker is useful when vertical/horizontal cropping in post-production is anticipated. Displayable aspect ratio frames include 2.39:1 and 2.35:1 for cinema and 1:1 and 4:5 for social media, providing a total of 10 patterns to select from.
Switch NTSC / PAL
To support a wide variety of video applications, the system frequency may be freely switched between NTSC (59.94Hz) and PAL (50.00Hz).
Time Code
When recording in MOV format, the time code may also be recorded.
Measurement of Luminance Level - Luminance Spot Meter
A subject can be selected with the frame and its luminance displayed as a percentage. When recording in V-Log, the camera displays luminance in stops. Setting 18% grey to equal 0.0 stops is helpful in selecting the optimal exposure value.
Measurement of Luminance Level - Wave Form Monitor
This feature makes possible accurate confirmation of the luminance level during shooting.
Measurement of Luminance Level - Zebra Pattern
Two zebra patterns with two different threshold values are displayed, corresponding to user-set upper and lower luminance limits. This feature allows users to monitor for blown-out highlights, adjust for 18% grey during V-Log recording, set a luminance range for human faces, and otherwise assist in achieving an optimal exposure level.
3.5mm Dia. MIC Jack and Headphone Jack
LUMIX S5 features a 3.5mm diameter MIC Jack and 3.5mm diameter Headphone Jack. LINE input is also supported by the 3.5mm MIC Jack, making it possible to input sounds from an external audio device for more efficient video production.
XLR Microphone Adaptor DMW-XLR1 (Sold Separately)
This accessory allows you to connect an XLR microphone. For example, you can record audio lip-synched to a particular video while controlling volume, gain, low cut, automatic level, and other audio functions useful in professional videography.
Autofocus Featuring Advanced AI technology
Panasonic’s advanced control technology encompasses sensor, engine, and lens to realise top-level focusing performance in every environment. To combine speed with precision, the sensor and lens communicate at a rapid 480fps, while DFD (Depth From Defocus) technology helps realise ultra-fast autofocus of approximately 0.08 sec.* Deep learning technology makes possible the recognition of human faces, eyes, heads, and bodies, as well as common animals (canidae, felidae and birds). Moreover, human head recognition is performed with a new and improved subject recognition algorithm. Whether the user is shooting stills or video, the camera performs like an expert in recognising and following human heads, even when they are tilted, small in the frame, or in motion. Those exceptional shots are now even easier to get.
* 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
6.5-stop Dual I.S. 2 (Image Stabilizer)
It's difficult to handhold a camera at the best of times, but don't fret: with the 5-axis Dual I.S. 2 (Image Stabilizer),* intelligent compensation comes to your aid. This is the equivalent to 6.5 doublings of exposure duration, meaning you can use a 6.5-stop slower shutter speed up to tele-end.** The LUMIX S5 eliminates shake in both body and lens even at the telephoto setting. It also works in both photo and video recording, including 4K video. The astonishing power of the 5-axis Body I.S. with 5-stop compensation power*** corrects shake for all lenses, even those not equipped with O.I.S.
* 5-axis Dual I.S.2 can be used with the lens S-R24105, S-E70200 and S-R70200 as of September 2, 2020.
** Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.
*** Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.
Dust and Splash-resistant
The tough body is ready to take on a variety of challenging shooting environments. The magnesium alloy full die-cast frame is highly durable, while sealing helps protect seam, dial, and button. The camera as a whole is dust- and splash-resistant.* In combination, these features help make shooting both productive and enjoyable in a wide range of weather conditions.
* Splash Resistant works in conjunction with the lenses that were specifically designed to support this feature.
Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
2,360k 0.74x OLED LVF
With superb resolution of approximately 2,360k dots and 0.74x magnification, the OLED live viewfinder presents the subject with ultra-fine gradations and high clarity throughout. OLED displays are favoured for their excellent responsiveness. The LVF of the LUMIX S5 is therefore able to offer an ultra-fast display speed of 120fps* with a time lag of only 0.005 sec., helping users keep quick-moving subjects in view.
* The display speed may be freely switched between 120fps and 60fps.
1,840k Free-angle LCD
The LUMIX S5 features a 1840k-dot 3.0-inch LCD. With outstanding brightness and a wide colour gamut, it offers high visibility for outdoor shoots. Its free-angle touch screen makes it easy to compose high- and low-angle shots, further adding to the convenience and flexibility of the camera.
Key Features
- Full frame CMOS 24 megapixels
- Dual Native ISO technology
- Compact & lightweight camera body
- 5-axis Dual Image Stabiliser
- Built-in V-log with 14+ stops dynamic range
- Double SD card slots
|
DC-S5 Specifications |
|
|
|
|
|
|
TYPE |
Type |
Digital Single Lens Mirrorless camera |
|||
|
Recording media |
SD Memory Card / SDHC Memory Card / SDXC Memory Card Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards. |
||||
|
Lens mount |
L-Mount |
||||
|
IMAGE SENSOR |
Type |
35mm full-frame (35.6mm x 23.8mm) CMOS sensor |
|||
|
Camera effective pixels / Total pixels |
24.20 megapixels / 25.28 megapixels |
||||
|
Aspect ratio / Color filter |
3:2 / Primary color filter |
||||
|
Dust reduction system |
Image sensor shift type |
||||
|
LATITUDE |
14+ stops (V-Log) |
||||
|
STILL IMAGE |
Recording file format |
Still image |
JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072) |
||
|
6K PHOTO** / 4K PHOTO** |
6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch)) 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch)) Extracted still images: JPEG (DCF, Exif 2.31) |
||||
|
Aspect ratio |
4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1 |
||||
|
File size (Pixels) |
When using full-frame lenses |
3:2 |
6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution Mode. 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) / 5984x4000(HLG PHOTO, Full-Res.) / 3232x2160(HLG PHOTO, 4K-Res.) |
||
|
4:3 |
5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution Mode. 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) / 5312x3984(HLG PHOTO, Full-Res.) / 2880x2160(HLG PHOTO, 4K-Res.) |
||||
|
16:9 |
6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution Mode. 3840x2160(4K PHOTO) / 5888x3312(HLG PHOTO, Full-Res.) / 3840x2160(HLG PHOTO, 4K-Res.) |
||||
|
1:1 |
4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution Mode. 2880x2880(4K PHOTO) / 4000x4000(HLG PHOTO, Full-Res.) / 2144x2144(HLG PHOTO, 4K-Res.) |
||||
|
65:24 |
6000x2208(L) |
||||
|
2:1 |
6000x3000(L) |
||||
|
When using APS-C/Super 35mm lenses |
3:2 |
3984x2656(L) / 2880x1920(M) / 2064x1376(S) / 3504x2336(4K PHOTO) |
|||
|
4:3 |
3536x2656(L) / 2560x1920(M) / 1840x1376(S) / 3328x2496(4K PHOTO) |
||||
|
16:9 |
3984x2240(L) / 2880x1624(M) / 1920x1080(S) / 3840x2160(4K PHOTO) |
||||
|
1:1 |
2656x2656(L) / 1920x1920(M) / 1376x1376(S) / 2880x2880(4K PHOTO) |
||||
|
Image quality |
RAW / RAW+Fine / RAW+Standard / Fine / Standard |
||||
|
Color space |
sRGB, AdobeRGB |
||||
|
MOTION PICTURE |
Recording file format |
MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit)) MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch)) |
|||
|
Switch NTSC / PAL |
Yes (NTSC (59.94Hz) / PAL(50.00Hz)) |
||||
|
MOV** |
NTSC (59.94Hz) |
Full-frame |
[4K] 3840x2160 |
29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
|
|
[FHD] 1920x1080 |
59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||||
|
APS-C / Pixel by Pixel |
[4K] 3840x2160 |
59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable. 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
|||
|
[Anamorphic 4K] 3328x2496 (4:3) |
29.97p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||||
|
[FHD] 1920x1080 |
59.94p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 29.97p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 23.98p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||||
|
PAL (50.00Hz) |
Full-frame |
[4K] 3840x2160 |
25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||
|
[FHD] 1920x1080 |
50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||||
|
APS-C / Pixel by Pixel |
[4K] 3840x2160 |
50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
|||
|
[Anamorphic 4K] 3328x2496 (4:3) |
50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM) *HLG is selectable. 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||||
|
[FHD] 1920x1080 |
50.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. 25.00p, 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) *HLG is selectable. |
||||
|
MP4** |
NTSC (59.94Hz) |
Full-frame |
[4K] 3840x2160 |
29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|
|
[FHD] 1920x1080 |
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
||||
|
APS-C / Pixel by Pixel |
[4K] 3840x2160 |
59.94p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 23.98p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|||
|
[FHD] 1920x1080 |
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
||||
|
PAL(50.00Hz) |
Full-frame |
[4K] 3840x2160 |
25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
||
|
[FHD] 1920x1080 |
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
||||
|
APS-C / Pixel by Pixel |
[4K] 3840x2160 |
50.00p, 100Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 72Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, AAC) *HLG is selectable. 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|||
|
[FHD] 1920x1080 |
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
||||
|
SLOW & QUICK |
MP4** |
NTSC (59.94Hz) |
Full-frame |
[FHD] 1920x1080 |
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps *Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more. |
|
APS-C / Pixel by Pixel |
[4K] 3840x2160 |
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60 fps |
|||
|
PAL (50.00Hz) |
Full-frame |
[FHD] 1920x1080 |
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60, 100, 120, 150*, 180* fps *Angle of view narrows if you select a frame rate with a number of frames 180. The AF mode switches to MF when the frame rate is set to of 150 fps or more. |
||
|
APS-C / Pixel by Pixel |
[4K] 3840x2160 |
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 1, 2, 5, 10, 15, 30, 60 fps |
|||
|
VIEWFINDER |
Type |
OLED Live View Finder |
|||
|
Pixels |
Approx. 2.36 million dots |
||||
|
Field of view / Magnification |
Approx. 100% / Approx. 0.74x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2 |
||||
|
Eye point / Diopter adjustment |
Approx. 20 mm at infinity; -1.0 m-1 / -4.0 - +4.0 (dpt) |
||||
|
Eye sensor |
Yes |
||||
|
Display speed |
120fps / 60fps |
||||
|
Display time lag |
|
|
Approx. 0.005sec |
||
|
REAR MONITOR |
Type |
TFT LCD monitor with static touch control |
|||
|
Monitor size |
Free-angle, 3.0-inch (7.5cm), 3:2 aspect |
||||
|
Pixels |
Approx. 1.84 million dots |
||||
|
Field of view |
Approx. 100% |
||||
|
FOCUS |
Type |
Contrast AF system |
|||
|
DFD technology |
Yes |
||||
|
Focus mode |
AFS (Single) / AFC (Continuous) / MF |
||||
|
AF mode |
Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3 (Full area touch is available) (Scalable AF frame size and flexible AF position) |
||||
|
AF detective range |
EV -6 - 20 (F1.4, ISO100 equivalent, AFS) |
||||
|
AF custom setting |
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction |
||||
|
AF assist lamp |
Yes |
||||
|
AF lock |
Set the Fn button in custom menu to AF lock |
||||
|
Post Focus / Focus Stacking |
Yes / Yes |
||||
|
Others |
AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode, 1-Area AF Moving Speed, Loop Movement Focus Frame, AFC Start Point (225-Area), Lens Focus Resume, Focus Ring Control
|
||||
|
EXPOSURE CONTROL |
Light metering system |
1,728-zone multi-pattern sensing system |
|||
|
Light metering mode |
Multiple / Center Weighted / Spot / Highlight Weighted |
||||
|
Metering range |
EV0-18 (F2.0 lens, ISO100 equivalent) |
||||
|
Exposure mode |
Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure |
||||
|
ISO sensitivity (Standard output sensitivity) |
Auto / 50* / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* / 204800* (Changeable to 1/3 EV step) *Extended ISO |
||||
|
Dual Native ISO |
[Normal] Native ISO: 100, 640 Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
[V-Log] Native ISO: 640, 4000 Auto: Auto / 320* / 640-51200 *Extended ISO
[HLG] Native ISO: 400, 2500 Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
[Cinelike D2 / Cinelike V2] Native ISO: 200, 1250 Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO |
||||
|
Exposure compensation |
1/3 EV step ±5EV (±3EV for motion picture) |
||||
|
AE lock |
Set the Fn button in custom menu to AE lock |
||||
|
IMAGE STABILIZATION SYSTEM |
Image sensor shift type (5-axis / 5.0-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.] Dual I.S. (6.5-stop* Dual I.S. 2 compatible) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.] |
||||
|
WHITE BALANCE |
White balance |
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
|||
|
White balance adjustment |
Blue/Amber bias, Magenta/Green bias |
||||
|
Color temperature setting |
2500-10000K in 100K |
||||
|
SHUTTER |
Type |
Focal-plane shutter |
|||
|
Shutter speed |
Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60 Motion picture: 1/16,000 - 1/25 Creative Video M mode / MF mode: 1/16,000 - 1/2 |
||||
|
Self timer |
10sec, 3 images / 2sec / 10sec |
||||
|
Remote control |
Remote control by DMW-RS2 (sold separately) |
||||
|
Silent mode / Shutter type |
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) |
||||
|
BRACKET |
AE bracket |
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
|||
|
Aperture bracket |
3, 5 or all positions in 1 EV step |
||||
|
Focus bracket |
1 to 999 images, focus steps can be set in 10 levels |
||||
|
White balance bracket |
3 images in blue/amber axis or in magenta/green axis, color temperature setting |
||||
|
BURST SHOOTING |
Burst speed |
Mechanical shutter / Electronic front curtain shutter |
AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
|
||
|
Electronic shutter |
AFS/MF: H: 7 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View) AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
|
||||
|
Number of recordable images |
RAW / RAW+JPEG: More than 24 images JPEG: More than 999 images (When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)" inserted into card slot 1.) * When recording is performed under the test conditions specified by Panasonic. |
||||
|
6K PHOTO** / 4K PHOTO** |
Burst speed |
6K PHOTO: 30 frames/sec 4K PHOTO: 60 frames/sec, 30 frames/sec |
|||
|
Exif information |
Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) |
||||
|
FLASH |
Flash type |
TTL External Flash (sold separately) |
|||
|
Flash mode |
Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. |
||||
|
Flash synchronization |
1st Curtain Sync, 2nd Curtain Sync. |
||||
|
Flash output adjustment |
1/3EV step ±3EV |
||||
|
Synchronization speed |
Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode. |
||||
|
Wireless control |
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
||||
|
EXTRA TELE CONVERSION |
|
2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording. |
|||
|
PHOTO STYLE |
Photo Style |
Standard / Vivid / Natural / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Standard (HLG) / Monochrome (HLG) / Like2100 (HLG) / My Photo Style 1-10 |
|||
|
Picture adjustment |
Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Sharpness / Noise Reduction / ISO / WB *Adjustable settings vary depending on the Photo Style mode. |
||||
|
FILTER |
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. |
||||
|
MOTION PICTURE FUNCTION |
Luminance level |
8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 |
|||
|
Wave form monitor |
Yes |
||||
|
LUT display |
LUT View Assist (Monitor) / LUT View Assist (HDMI) |
||||
|
Time code |
Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When NTSC (59.94Hz) is selected.) |
||||
|
Knee control |
Yes (in Like709 mode) |
||||
|
FUNCTION BUTTON |
REC |
Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / HLG Photo / High Resolution Mode / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / AF Mode / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot "6K/4K PHOTO" / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Live View Composite / Post-Focus / Motion Pic. Rec File Format / Motion Pic. Rec Quality / Slow & Quick Setting / Time Code Display / Sound Rec Level Disp. / Sound Rec Level Adj. / Sound Rec Level Limiter / Special Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Live Cropping / Q.MENU / Rec / Playback Switch / Video Record / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Style / Photo/Video Preview / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / Waveform Monitor / Anamorphic Desqueeze Display / Focus Ring Control/ Zoom Control / Destination Card Slot / Wi-Fi / No Setting / Restore to Default |
|||
|
PLAY |
Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Off (Disable Press and Hold) / Restore to Default |
||||
|
LEVEL GAUGE |
|
Yes |
|||
|
OSD LANGUAGE |
|
Please refer to "OSD" Sheet |
|||
|
|
PictBridge compatible |
||||
|
INTERFACE |
USB |
SuperSpeed USB 3.1 Gen1 Type-C |
|||
|
HDMI*** |
Monitor-through |
When a mode other than [4K/60p]/[4K/50p] is selected for [Picture Quality]: 4:2:2 10bit, 4:2:2 8bit, 4:2:0 8bit
When [4K/60p]/[4K/50p] mode is selected in [Rec Quality]: 4:2:2 10bit*, 4:2:0 8bit *When 4:2:2 10bit mode is selected, it is not possible to record motion picture or still picture on the memory card in the camera unit.
Info Display: ON / OFF (selectable) HLG View Assist (HDMI): AUTO / MODE1 / MODE2 / OFF (selectable) |
|||
|
Playback |
microHDMI TypeD / VIERA Link, Audio: Stereo NTSC (59.94Hz): Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p PAL (50.00Hz): Auto /4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p |
||||
|
Remote input |
φ2.5mm |
||||
|
External microphone / external audio device input |
φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE is selectable. Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). |
||||
|
Headphone output |
φ3.5mm |
||||
|
Microphone |
Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). |
||||
|
XLR microphone |
Yes with DMW-XLR1 (sold separately) |
||||
|
Speaker |
Monaural |
||||
|
SD card slot |
SD Memory Card, SDHC Memory Card, SDXC Memory Card Slot 1: Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. Slot 2: Compatible with UHS-I UHS Speed Class 3 standard SDHC/SDXC Memory Cards. |
||||
|
WIRELESS |
Wi-Fi |
2.4GHz (STA/AP) (IEEE802.11b/g/n) 5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi is not available in some countries. Please refer to "Wi-Fi" Sheet |
|||
|
Bluetooth |
Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) |
||||
|
DUST AND SPLASH RESISTANT* |
Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
||||
|
POWER |
Battery |
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging |
|||
|
Battery life (CIPA standard) |
Approx. 440 images (rear monitor), 470 images (LVF), 1,500 images (Power Save LVF mode*) with S-R2060 *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
||||
|
Continuous recordable time (Motion picture)** |
MP4 [4K/60p]: Approx. 110 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged. MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 100 min (APS-C, Pixel by Pixel) (LVF), 110 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged. |
||||
|
Actual recordable time (Motion picture)** |
MP4 [4K/60p]: Approx. 55 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged. MOV [4K/60p/4:2:0 10-bit/LongGOP]: Approx. 50 min (APS-C, Pixel by Pixel) (LVF), 55 min (APS-C, Pixel by Pixel) (rear monitor) *When using S-R2060. When the battery is fully charged. |
||||
|
Battery grip |
DMW-BGS5 (sold separately) |
||||
|
DIMENSIONS / WEIGHT |
Dimensions (W x H x D) |
Approx. 132.6 x 97.1 x 81.9 mm / 5.22 x 3.82 x 3.22 inch (excluding protrusions) |
|||
|
Weight |
Approx. 714g / 1.58 lb (SD Memory Card x 1, Battery, Body) Approx. 630g / 1.39 lb (Body only) |
||||
|
OPERATING ENVIRONMENT |
Operating temperature |
0oC to 40oC (32oF to 104oF) |
|||
|
Operating humidity |
10%RH to 80％RH |
||||
|
STANDARD ACCESSORIES |
Software |
Recording |
LUMIX Tether · This software is used to control a Panasonic digital camera from a PC. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software. http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac) |
||
|
Playback / Editing |
· The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.1PE is available for download at Panasonic website using computer connected to the Internet. https://panasonic.jp/support/global/cs/soft/download/d_pfs1001pe.html(For Windows) · The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) |
||||
|
Standard accessories |
DC-S5 Kit Body Cap, Hot Shoe Cover, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, USB Connection Cable (A-C)
DC-S5K Kit Body Cap, Hot Shoe Cover, Cover for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, USB Connection Cable (A-C), Lens Cap, Lens Hood, Lens Rear Cap
· The DC-S5 Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet. |
||||